Winnie The Pooh Blood And Honey: Death Threats To The Filmmakers

Winnie The Pooh Blood And Honey

The filmmakers in “Winnie The Pooh Blood And Honey” tackle the dark side of the beloved children’s figure, which is far from child-friendly. Instead, it was loaded with gruesome scenes, including murder. Because of their controversial stance, they have received death threats. Get the lowdown on this startling incident.

Brief About The Movie (Winnie The Pooh Blood And Honey)

In “Winnie the Pooh Blood and Honey,” a new microbudget R-rated horror movie, Pooh ventures into far darker terrain than even Eeyore could have dreamed. Pooh, after 95 years of uttering things like “A hug is always the correct size,” is now aggressively tormenting a secluded house of young ladies. Countless beloved figures have entered the public domain in the past, but maybe none so swiftly and brutally as Pooh.

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Last January 1st, Pooh, Piglet, Kanga, Roo, Owl, Eeyore, and Christopher Robin became public domain after the copyright on A.A. Milne’s 1926 novel “Winnie-the-Pooh,” illustrated by E.H. Shepard, expired. Just a year later, Pooh and Piglet are now presented as violent characters in movie theaters throughout the country – a development that happened faster than the phrase “Oh, bother” could be uttered.

WINNIE-THE-POOH: BLOOD AND HONEY | Official Trailer | Altitude Films

Pooh, Piglet, Kanga, Roo, Owl, Eeyore, and Christopher Robin were added to the public domain in January. The release of “Winnie the Pooh: Blood and Honey” can be considered either a clumsy effort to capitalize on a beloved character or a savvy example of forward-thinking indie cinema. In any case, “Winnie The Pooh Blood And Honey” might be a foreshadowing of things to come.

Death Threats To The Filmmakers??

While the backdrop is still Hundred Acre Woods and Pooh is reunited with Piglet, the similarities end there. The legendary teddy bear is now motivated by a rage-hunger and has abandoned his honeypot in favor of chloroform and a sledgehammer in the “Winnie The Pooh Blood And Honey.” 

Rhys Frake-Waterfield‘s Pooh Bear film takes a unique and surprising approach. We encounter a side of the group we’ve never seen before in this disturbing story. Pooh and Piglet are forced to resort to cannibalism after being abandoned by Christopher Robin after a difficult winter, consuming the melancholy donkey Eeyore. This is not a film for the faint of heart, but for those who dare to delve inside the minds of these beloved characters.

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Pooh and Piglet, troubled by their actions, seek vengeance on Christopher Robin and all people who dare to visit their forests in the horror film. Regardless of whether you grew up with a Pooh plushie or not, Frake Waterfield’s on the bear is as far from family-friendly as it gets. That’s what makes it thrilling! However, just because one filmmaker jumped at the chance to put a knife in Pooh’s hands doesn’t imply that everyone else agrees.

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“There have been petitions to stop it. I’ve received death threats. People have informed me they phoned the cops “director Rhys Frake-Waterfield explained to AFP discussing “Winnie The Pooh Blood And Honey.” Oh, to be a fly on the wall during that absurd 9-1-1 call. Many individuals, clearly devoid of a sense of humor, fail to recognize that one slasher will not damage Pooh’s good-natured legacy. Frake-Waterfiled, for one, has been embracing negativity since the beginning. When one commenter expressed concern that the video would damage people’s childhoods, the filmmaker agreed, adding on his Instagram account, “That’s what I’m trying to do, wreck everyone’s childhood.”

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